| A | B |
|---|
| terra cotta | red clay |
| sculpture in the round | interesting to look at from all angles |
| free standing sculpture | supports weight without a base |
| leather hard | soft enough to carve, yet dry enough to break if bent |
| elasticity | ability to retain shape |
| how to fix cracks | slip, press, smooth |
| how to attach 2 pieces of clay together | score, slip, press, smooth |
| Additive | applying clay to build up mass |
| Subtractive | carving away areas |
| Greenware | completely dry (never fired) clay product |
| bisqueware | fired one time to make waterproof |
| Kiln | chamber used for firing clay products |
| Harmony of texture | repeating similar textures on surfaces |
| Plastic bag | used to keep clay moist |
| Cone or pyramid Form | use to make chin (jaw), knees, elbows |
| Slab | flat pieces of clay |
| fettling knife | used for trimming away unwanted clay |
| modeling tools | used to make detail changes |
| needle tool | used to score or scratch surface |
| SWB | scratch wire brush |
| Wedging | creates air pockets if done incorrectly |
| paper | prevent sculpture from sticking to board |
| Henry Moore | made reclining figure sculptures |
