| A | B |
|---|
| Second Unit Director of Photography | cameraman hired to shoot scenes that fall into the second unit category |
| Second Unit Director | in charge of directing sequences not involving main actors |
| Second Unit | an additional production crew used for shooting sequences that do not involve the main actors |
| Still Photographer | responsible for taking stills on the set |
| Foley Artist | a person who adds replacement sounds that didn’t get picked up by the filming mics |
| Best Boy Grip | the key grip’s main assistant |
| Key Grip | head of the grip crew; makes sure all lights, filters, & cameras are secure |
| Best Boy | the gaffer’s main assistant |
| Gaffer | chief electrician |
| Second Assistant Cameraman | Loads & unloads film magazines and sends to lab |
| First Assistant Cameraman | Makes sure actors & subjects are in the right position and in focus |
| Director of Photography | A.K.A. cinematographer; Design all shots (composition); Directs the lighting crew; Lights the scenes; Directs the grips crew (getting the camera in the right position) |
| Director | In charge of all the “artistic” aspects of a film; Translating written word (script) into believable situations to tell the story & move people; Watch daily costs |
| Art Director | Designs or selects the sets & décor of a film; oversees Set Constructor, Set Decorator, Costume Designer, Scenic Artist |
| Production Director | An art director who designs the overall look of a movie; Coordinates & integrates the sets, costumes, props, & color schemes |
| Producer | Principally in charge of a motion picture; Monitors quality & security; Involved in all financial decisions; Watch daily costs; Keep the film on schedule |
