| A | B |
|---|
| in stone carving, hold point tool | at 45 degree angle |
| stone carving tool that smooths our marks left by carving forks | rondele |
| If hole drilled into stone, carve in what direction with the point tool | toward the middle of the hole |
| soft carving stone | alabaster |
| draw design on stone on how many sides? | all sides |
| draw design on stone with what tool? | grease pencil |
| stone carving eye protection | goggles |
| stone carving lung protection | dust mask |
| hand protection while filing stone | gloves |
| white marks left on improperly finished stone sculptures | bruises |
| material that fixes cracks in stone | super glue |
| material that joins 2 broken pieces of stone back together | epoxy glue |
| In stone carving use tools in this order | large to small, beginning with point tool |
| stone tool that removes marks left by other tools | files and riflers |
| In sanding stone, what order of sandpaper do you use? | coarse, then medium, then fine |
| last step in stone carving | polishing the sculpture |
| holes in sculpture create | negative space, focal point |
| important 3-D stone design aspect | the form of the stone |
| printmaking material manipulated to produce a printing surface | block |
| raised areas of block | carry ink to paper in block printing |
| tool used to spread ink on block | brayer |
| rubbing back of paper once it is on inked block | burnishing |
| how ink is properly rolled with brayer | in one direction only |
| ink is ready to roll on print when it | sounds sticky |
| a successful reductive block design depends on | values |
| to line up the block each time it is printed in reductive block printing | to register |
| in reductive block printing, begin with which value | lightest |
| group of the same print | edition |
| artist's proof | first print an artist makes |
| always sign prints in | pencil |
| the long needle shaped linoleum tool is called a | liner |
| the U and V shaped linoleum tools are called | gouges |
| our printing blocks were made of | linoleum |
| in watercolor painting begin with areas that are | large and light |
| a large area of wet watercolor | wash |
| 1 watercolor color quickly painted over another dry color | glaze |
| 2 watercolor colos allowed to mix directly on the paper | granulation |
| method of painting small details | dry brush |
| texture of watercolor paper | tooth |
| what kind of handles do watercolor brushes have? | short |
| to make a watercolor color lighter in value, add | water |
| to create an area of white in a watercolor painting, | leave it blank |
| apply an undercoat to a watercolor painting in choice of which 2 colors | pale yellow or pale blue |
| this drawing tool shows through watercolor paint | pencil, so erase it |
| visual communication that demands a response | art |
| clay peruvian whistles | ocarinas |
| clay is fired in a | kiln |
| to join 2 pieces of clay together, | score and slip each piece |
| slip | clay thinned to the consistency of gravy |
| wedge clay to remove the | air bubbles |
| the more clay is worked, | the drier it gets |
| cut ocarina holes at this angle | 45 degrees |
| 3 clay techniques | slab, coil, pinch |
| clay's composition | silicon, aluminum, water |
| famous reductive block printer | Mark Mulfinger |
| famous stone sculptor | Mrs. Licata |
| your favorite art teachers | Mr. Sargent and Dr. Hicks |
| method of enlarging picture for watercolor painting | grid drawing |
| cutting texture into clay | incising |
| order of use of stone carving tools | point, toothed chisel or fork, rondele, files & riflers |
