| A | B |
|---|
| The Phrygian Half-Cadence | [iv6-V]= Soprano Progressions: [4-5] and [8-7]= Double the 3rd above the bass (5th of the chord) of the iv6 harmony= Move all voices by step to the V |
| The Phrygian Half-Cadence= Potential pitfalls | Create a leading tone in the V chord= Dont exceed the octave between the alto and tenor (fix this by swapping the tenor and alto voices)= When soprano moves 1-7, watch out for parallel 5ths between the tenor and alto (fix by swapping voices) |
| The Deceptive Cadence | [V-vi]= Soprano progressions: [7-1] and [2-1]= Double the 3rd of the vi chord |
