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Inversions of V^7= Special Uses

AB
V^6/5Enters as an unaccented passing tone from V^6 (I-V^[6-5]-I)
V^4/2Enters as an unaccented passing tone from V (V-4/2-I^6)
What moves to V^4/2IV or II^6 move over a stationary bass to V^4/2 (I-ii^6-V^[4/2]-I^6 OR I-IV-V^[4/2]-I^6))
Cadential 6/4Moves through V^[4/2] to I^6, evading the cadence (I^6-IV-V^[{6/4}-{4/2}]-I^6)
What ascends to V^6/5IV^6 ascends to V^6/5 (I-IV^6-V^[6/5]-I)= SOPRANO: 3-4-4-3



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