| A | B |
|---|
| The foundation for all artistic applications is | design |
| The design process begins by analyzing the entire person and using the design elements and principles to | enhance positive features |
| In the hair design process, when deciding to take calculated risks, it is important to have a strong foundation in | techniques and skills |
| In the principles of design, line defines | form and space |
| Lines that extend in the same direction and maintain a constant distance apart are | horizontal lines |
| Lines positioned between horizontal and vertical, used to emphasize or minimize facial features, are | diagonal lines |
| An example of a hairstyle created using a single line is a | one-length style |
| Curved lines that are used to blend and soften horizontal or vertical lines are | transitional lines |
| The three-dimensional mass or general outline of a hairstyle is referred to as its | form |
| In hairstyling, the area that surrounds the form is the | space |
| Natural wave pattern are described as straight, wavy, curly, and | extremely curly |
| In hair design, with every movement, the relationship of form and what other design element change | space |
| Hair texture changes can be created or changed temporarily with styling tools and permanently with | chemicals |
| Smooth wave patterns accent the face and can be used to narrow | a round head shape |
| Illusions of dimension or depth are created when lighter and warmer colors are alternated with colors that are | darker and cooler |
| For a client with gold skin tones, a flattering hair color tone would be | warm |
| In the principles of art and design, the comparative relationship of one thing to another is called | proportion |
| In designing for clients with large or broad shoulders, the stylist would create styles with | volume |
| Balance is described as creating equal or appropriate proportions to create | symmetry |
| In designing, when the two sides are the same distance from the center, have the same length and volume, the balance is considered to be | symmetrical |
| In designing, when opposite sides have different lengths or different volume and appear to have equal visual weight, it s referred to as | asymmetrical balance |
| A recurrent pattern of movement in design is referred to as | rhythm |
| The area of a design where the eye is drawn to first before traveling to the rest of the design is called the | emphasis |
| The most important art principles that holds a design together is | harmony |
| The facial type that is about one and a half times longer than its width across the brow is the | oval face |
| To offset or round out the features of a square facial shape, the aim would be to | create volume between the temples and jaw |
| The facial shape with a narrow forehead and wide jaw and chin line is considered to be | triangular |
| The face profile with a receding forehead and chin is generally referred to as | convex |
| To give the illusion of proportional eyes to a client with wide-set eyes, the hair should be | slightly darker at the sides than top |
| The triangular section that begins at the apex or high point of the head and ends at the front corners is called the | bang area |
