A | B |
Giovanni Pierluigi Da Palestrina | Pope Marcellus Mass: Agnus Dei I; 1560 |
Giovanni Gabrieli | In Ecclesiis; 1610= Trumpets; ugly; ha-lay-loo-ya! |
Claudio Monteverdi | Cruda Amarilli; 1590s; just choral |
Giulio Caccini | Vedr'o 'L Mio Sol; 1590 = Solo female voice; pretty; accompanied by lute |
Alessandro Grandi | O Quam Tu Pulchra Es; 1625= Wierd voice for lead singer (accomp. by harpsichord) |
Claudio Monteverdi | L'Orfeo: Excerpt from Act II; 1607 |
Claudio Monteverdi | L'incoronazione di Poppea: Act I, Scene 3; 1642= Soft solo female voice (sometime instruments really take a lead in the piece...like pretty to listen to) |
Henry Purcell | Dido and Aeneas: Conclusion; 1689= Solo voice...very mournful |
Girolamo Frescobaldi | Toccata No. 3; 1615 (revised 1637)= Really stop and go; no real rhythm; tons of fast runs) |
Denis Gaultier | La Coquette Virtuose; 1650= All lute!!! |
Elisabeth-Claude Jacquet De La Guerre | Suite No. 3 in A Minor, from "Pi'eces de clavecin"; 1687= Shit ton of trills |