| A | B |
|---|
| Soliloquy | speech by a character, alone on stage, speaking his thoughts aloud; audience overhears |
| Aside | something a character says to himself, not meant for others around him to hear |
| aside | something a character says to a second character not meant for a third character to hear |
| 5 | How many parts of speech are there? |
| exposition | introduction of characters and initial situation |
| rising action | two forces in conflict with one force in control over the other |
| technical climax | the highest point in the rising action where one force wins then relinquishes control to the opposing force |
| falling action | the opposing force in control |
| denouement | final untying of the plot |
| dramatic climax | point(s) of greatest excitement for the reader or audience (can have more than one) |
| 3 | How many types of conflict are within a work? |
| Hamlet-aside | "A little more than kin and less than kind." Act I, Sc 2 |
| Hamlet to Queen | "But I have that within which passeth snow- These but the trappings and the suits of woe." Act I, Sc 2 |
| Marcellus to Horatio | "Something is rotten in the state of Denmark." Act I, Sc 4 |
| Hamlet to Horatio & Marcellus | "The time is out of joint. O cursed spite that ever I was born to set it right!" Act I, Sc 5 |
| Hamlet to Rosencrantz & Guildenstern | "......for there is nothing either good or bad but thinking makes it so. To me it is a prison." Act II, Sc 2 |
| Hamlet to Ophelia | "Get thee to a nunnery; why wouldst thou be a breeder of sinners?" Act III, Sc 1 |
| Hamlet to Horatio | "Give me that man that is not passion's slave, and I will wear him in my heart's core, ay, in my heart of heart as I do thee." Act III, Sc 2 |
| Hamlet to Rosencrantz & Guildenstern | "S'blood, do you think I am easier to be played on than a pipe?" Act III, Sc 2 |
| Hamlet - soliloquy | "Tis now the very witching time of night when churchyards yawn and hell itself breathers out contagion to this world." Act III, Sc 2 |
| Claudius - soliloquy | "My words fly up; my thoughts remain below, words without thoughts never to heaven go." Act III, Sc 3 |
| Gertrude to Hamlet | "Thou turnst mine eyes into my very soul, and there I see such black and grained spots as will not leave their tinct." Act III, Sc 4 |
| Claudius - soliloquy | "Do it, England; for like the hectic in my blood he rages, and thou must cure me." Act IV, Sc 3 |
| Claudius to Laertes | "No place indeed should murder sancturize; Revenge should have no bounds." Act IV, Sc 7 |
| Hamlet to Yorick (skull) | "Now get you to my lady's chamber and tell her, let her paint an inch thick to this favor she must come." Act V, Sc 2 |
| Hamlet to Horatio | "There's a divinity that shapes our ends; Rough-hew them how we will." Act V, Sc 2 |
| Suspense | The pure suspense of the mystery story in which the reader doesn't know who the guilty party is is one of two types of _____ |
| Suspense | The suspense of knowing that certain characters are headed for destruction but not knowing when or how is one of two types of _____ |
