| A | B |
|---|
| internalizing | developing a deep understanding of a character |
| externalizing | showing the internalized character to an audience |
| concentrating | the ability to focus all of one's energies on a task |
| observing | watching people carefully to see nuances of gesture and expression |
| emotional memory | recalling specific emotions that you have experienced or observed in order to relate to a character's emotional states |
| projecting | reaching out to the person in the last row and allowing them to experience every emotion |
| motivating | explaining why a character does the things that he/she does |
| stretching a character | making a role unique, individual and interesting |
| the consisitent inconsistency | a individual aspect of a character that an actor chooses to emphasize |
| playing the conditions | elements of time, place, weather, objects, and the state of the individual |
| playing the objectives | all of the ways and means that a character attempts to obtain his/her goal |
| playing the obstacles | facing each crisis or obstacle that a character faces as if you were that character |
| playing the object | using props or costume pieces to accentuate character |
| energy | the intensity with which an actor approaches his/her performance |
| focus | directing a line, emotion, attention or delivery to a specific target |
| uniqueness | bringing something unique to every role, even the roles roles from classic literature |
