| A | B |
|---|
| Neoclassicism | Revival of interest in the art of classical Greece and Rome |
| Romanticism | the emotional emphasis of the Baroque |
| Realism | idea that paintings must illustrate all the features of its subjects |
| Impressionism | showed light by juxtaposing bright, contrasting colors |
| arbitrary color | color not needed to replicate color as seen in the real world |
| Pop Art | imcorporation of images of mass culture |
| Minimalism | emphasized simplification of form and often featuring monochromatic palettes |
| Rococo | style and content quite different from the Baroque |
| Jean-Antoine Watteau | leader of a new generation and the innovator of a new genre of painting called the fête galante |
| fête galante | generally depicted members of the nobility in elegant contemporary dress |
| Jacques Louis David | his works epitomized the neoclassical style |
| Jean Dominique | David's pupil created hallmarks of the neoclassical style |
| Eugène Delacroix | proponent of Romanticism and Ingres's rival |
| Gustave Courbet | represented the Realism movement |
| Cubism | influenced by African Art, broke down and analyzed form in new ways |
| Harlem | a center for African-American creativity |
| Dada | a movement that challenged established ideas about art |
| Marcel Duchamp | painted the Mona Lisa |
| Surrealists | attempted or portray the inner workings of the mind in their artworks |
| Vincent van Gogh | developed the idea that the artist's colors should not slavishly imitat the colors of the natural world, but should be intensified to portray innerhuman emotions |
