| A | B |
|---|
| Dutch | Tilting the shoulder mounted camera sideways. |
| Zoom | Changing the focal length of the lens through the use of controls on the camera |
| Tilt | Tipping the camera lens up or down |
| Pan | The movement of the lens of the camera left to right or right to left |
| Truck | Moving the camera left or right on a mobile camera mount. |
| Dolly | Moving the camera on a mobile camera mount towards or away from a scene. |
| Boom | Moving the entire camera up and down. |
| Arc | To move the camera on a mobile camera support in a slightly curved movement |
| Project Panel | Name the area that we store video, audio, still pictures, and other editable sources in our editing software |
| hours, minutes, seconds, and frames | Time-code is measured in: |
| head room | the space left between the top of the head and the upper edges of the screen |
| close up | object of any part of it seen at a close range and framed tightly |
| lead room | the space left in front of a person or an object moving toward the edge of the screen |
| bust shot | framing a person from mid chest to the top of the head |
| long shot | object seen from far away and framed loosely |
| capture | converting files from tape to digital on a computer |
| time-code | measurement of television time |
| render | to create a sample version of what your final video will look like |
| frame | smallest measurement of time in television |
| import | bringing files into a project |
| export | taking files out of the project |
| program monitor | The window that allows you to preview the video you are editing |
| Entire Sequence, Video Only, Audio Only | There are three output options are available when exporting video in Adobe Premiere Pro |
| Dolly | Moving the entire camera left and right on a mobile camera mount |
| 4 x 3 | Aspect ratio of standard definition television |
| 16 x 9 | Aspect ration of high definition (HD) television |
| Razor | Tool that is used for cutting video or audio at an exact point |
| Robotic Pedestal | computerized camera support, usually used in a studio |
| Dolly | mobile camera support |
| Monopod | single leg camera support |
| Tripod | three legged camera mount |
| Stedicam | camera mount worn by operator, uses large springs to absorb jitters and wobbles |
| Quick-release plate | used to attach camera to the mounting head of the tripod or monopod |
| Jib | long arm to extend camera shots, often used in sporting events |
| 30 Frames | How many frames in 1 sec of video |
| Shoulder | the most basic support and is also the most flexible |
| pre-production | most important phase of television production |
| Red, Green and Blue | There main colors of television |
| Pre-Production, Porduction and Post Production | three parts of a video production plan |
| new workspace | What command should you use to save a customized workspace |
| Premiere Pro | Name of the program we use to edit video |
| current time indicator | points to a specific point on the timeline, plays by pressing space bar |
| preview monitor | shows what the CTI is pointing to |
| cut | instant change from one shot to another |
| fade | dissolving to or from black |
| wipe | pushing one picture off the screen to reveal another |
| timeline | where editing takes place in the software |
| dissolve | temporary mixing of two shots |
| Red - Right Audio, White - Left Audio, Yellow-Video | RCA Cable colors and what they are used for. |
| Non-Linear Editing | Another name for computer based editing |
| Digitize | another name for capturing video |
| Codec | It allows your computer to compress and decompress media files |
| FLV | Formats to export media as Flash video |
