| A | B |
|---|
| An edit in which the incoming shot is too similar to the outgoing shot. | Jump cut |
| A longer segment of program content, usually consisting of several related scenes. | Sequence |
| A fade-in that coincides with a fade-out, so, that the incoming shot gradually replaces the outgoing shot. | Dissolve |
| A transition in which the image begins at full brightness and gradually darkens to pure black. | Fade out |
| A camera angle that frames the subject from head to waist. | Medium shot |
| Any complete video presentation. | Program |
| The position from which a shot is taken. | Camera angle |
| A single still picture, 30 of which make a second of NTSC video. Also, the border around the image. | Frame |
| A transition in which a line moves across the screen covering the outgoing shot with the incoming shot. | Wipe |
| The organization of video material into a coherent presentation. | Continuity |
| A written video or spoken audio identification of a program component. | Slate |
| A spatial pattern of microphone sensitivity, resembling a Valentine heart. | Cardioid |
| A microphone support consisting of a hand-held telescoping arm. | Fishpole |
| A radio microphone. | Wireless |
| A very small microphone clipped to the subject’s clothing, close to the mouth. | Lavaliere |
| A device that converts sound waves into electrical modulations for recording. | Microphone |
| The directions in which a microphone is most sensitive to sounds. | Pickup Pattern |
| A two-wire microphone cable subject to electrical interference, used in amature situations | Unbalanced line |
| The strength of the electrical signal carrying the sound. | Level |
| A three-wire microphone cable designed to minimize electrical interference. | Balanced or XLR |
| Narrow, directional sound pick-up pattern. | Shotgun |
| Which is not one of the biggest problems in recording audio. | Audio is hard to pick up |
| A devices for adjusting the relative strengths of different audio frequencies. | Equalizer |
| A camera angle frames a subject from a particular _______________ | Size and Position |
| Examples of a "subject distance" camera angle | Long shot, Medium shot, Closeup |
| If an image is like a word in verbal language, and a shot is like a sentence, what unit in video language corresponds to a paragraph? | A scene |
| If an image is like a word in verbal language, and a shot is like a sentence, what unit in video language corresponds to a chapter? | A sequence |
| The five main types of audio recording. | Background, music, sound effects, voice and production |
| List one drawback of a cabled microphone. | Hard to conceal and have to be close to the camera |
| Drawbacks of a wireless microphone | Expensive and subject to interference |
| What is the name of the device that balances the strengths of signals from two or more sources? | Mixer |
| Explain the term "matching action." | Matching two separate scenes seamlessly |
| A medium shot frames the subject from the head to the _____________________. | Waist |
| A transducer is the microphone component that converts changing air pressure into a video signal. | False |
| A profile and front are examples of camera angles named by | Horizontal angle |
| A master, reverse and establishing scenes are examples of camera angles named by | Shot purpose |
| A wide angle and telephoto are examples of camera angles named by | Lens perspective |
| Technically, the only difference between various lens focal lengths | Different types of lens |
| A single and two-shot are examples of camera angles named by | Shot population |
| The subject fills the frame from below the chin to the forehead. | Big closeup |
| __________ is “live” audio recorded with the video. | Production Sound |
| The camera location on a circle around the subject. | Horizontal angle |
| The location of the camera on a vertical arc. | Camera height |
