| A | B |
|---|
| the layer of the hair gives the hair majority of its strength and elasticity is the | cortex |
| in individual hair strands , hair texture is determined by the | diameter |
| if the cuticle is lifted, allowing the hair to take color quickly the hair is said to have | high porosity |
| haircolor level are arranged on a scale | 1 to 100 |
| hair color tones can be described as | warm, cool, and neutral |
| warm tone that are described as sandy or tam are considered | natural |
| which color will hep balance orange tones in the hair | blue |
| pure of fundamental colors that cannot be created bu combining other colors are called | primary color |
| the strongest and only cool primary color | blue |
| red added to blue-based colors will cause them to apper | lighter |
| a color is achieved by mixing a secondary color and its neighboring primary color | tertiary |
| in traditional color theory, when all three primary colors are present in equal proportions, the resulting color is depending on the saturation of the pigment | back or dark muddy blue |
| a primary snd secondary color positioned directly opposite each other on the color wheel | complementary color |
| temporary haircolor pigment molecules do not penetrate the cuticle layer because they have pigment | large |
| traditional semipermanent haircolor only lasts depending on how frequently the hair is shampooed | 4 to 6 week |
| which type of haircolor is formulated to deposit but not lighten color | demipermanent color |
| which type of haircolor lighten and deposit color at the same time and it a single process because it is more alkaline than demipermanent color and is usually mixed with a higher- volume developer | permanent color |
| to provided maximum lift in a one step color service which volume of peroxide is recommended | 40- volume perioxide |
| during the decoloring process, natural hair can can go through as many as | ten stage |
| overlapping color can cause breakage and created | a line of demarcation |
| the three forms of hair lighteners are | oil, powder, and cream |
| selected strands are picked up from a narrow section of hair with a zigzag motion of the comb, and lightener or color is applied only to these strand | weaving |
| for client with 80 to 100 precent gray which haircolor is generally more flattering | a blond shade |
| to cover unpigmented hair on a salt and pepper head. the color formulation should be than the natural level | one to two level lighter |
| the process of treating gray or very resistant hair to allow for better penetration of color is known as | pre-softening |
| when performing a lightener retouch, new growth is lightened | first |
| the produce a haircolor that look natural, how many primary color must be present | three |
| the best way to obtain pale bond result is to used | double process blonding |
| when hair is blue, it is recommended that you use to balance it | orange |
| selecting base colors creates brighter color | warm |
| demipermanent haircolor color | deposit but does not lift |
| during a haircolor consultation, you shoild | look at the client directly |
| traditiondal semipermanent , demipermanent, and permanent haircolor product that are used primarily on pre-lightened hair to achieve pale and delicate color are | toner |
| when performing a patch test, which color should you use. | the same color that will be used for the haircolor service |
| hair that has previously received a color service will have | a greater degrees of porosity |
| when hair is violent , it is recommended that you use to balance it | yellow |
| underlightened hair will appear to have more than the intended color | red, yellow, orange |
| the term or hue, refer to the balance of color | tone |
| which of these is a coloring technique that require two separate procedure in which the hair is pre-lightened before the depositing color is applied | double process application |
| the melanin that give blond and red color to hair is called | pheomelanin |
