| A | B |
|---|
| chemically infused services the make changes in the natural texture, curl, or in the hair are considered permanent and will never back to the original pattern | wave pattern |
| for a client with gold skin tone hair color are more flattering | warm |
| when designing a style for a wome with large hip or broad shoulders, the stylist wold normally create a style with | more volume |
| balance is described as establishing equal or appropriate | symmetry |
| when the two imaginary halves of hairstyle have a equal visual weight but are positioned unevenly, the hairstyle is consisted to have balance | asymmetry |
| a regular pulsation or recurrent pattern of movement in a design is reffered to as | rhythm |
| the area in a design where the eye is drawn first before traveling ti the rest design is called | emplasis |
| the offset or round out the feature of a square facial shape the styling choice is to | create volume between the temple and jaw |
| the profit has a receding forehead and chin | convex |
| the triangular section the begin at the apex, or high point of the head, and end at the front corners is called the | bang area |
| desinf texture can be created temporarily with the used of | heat and / or wet styling techniques |
| which of these is not a physical characteristic taken into account when designing an artistic and suitable hairstyle | natural hair color |
| left natural hair may not support many styling option | straight, fine |
| which type of hair offer the most versatility styling | wavy, medium hair |
| for ease of styling hair is generally best cut short | extremely curly, coarse |
| the profit has prominent forehead and chin | concave |
| for a client with you should direct the hair back and away fron the face at the temple | close set eye |
| for a client with a the hair should be directed forward in the chin area | receding chin |
| for a client with a nose, bring haair forward at the forehead with softeness around the face | prominent |
| if a male client has a fairly close trimmed beard or even faded beard and mustache would be beneficial to the overall appearance | a wide face and full cheek |
| to create length and height in hair design use | vertical |
| to create width in hair design use line | horizontal |
| lines that may move in a clockwise or counter clockwise direction to create the illusion of movement are line | curved |
| repeating lines, known as lines, can be straighten or curved | parallel |
| lines with a definite forward or backward movement are line | directional |
| the square face shaped | is round at the jaw |
| the face shape featuring a narrow forehead, exterme width through the cheekbones, and a narrow chin is the | diamond |
| the face shaped features a narrow forehead wide jaw chine line | triangular |
| the face shape featuring a wide forehead and narrow chin line is the | inverted triangle |
| which parting is used to creates the illusion of width or height in a hairstyle | center |
| the contour and proportion of the face shape form the basic and ideal for evaluating and modifying all other face shape | oval |
| color act as a illusion and help to create lines of | light |
| depending on color can accent de-emphasize a particular of a style or client feature | placement |
| in hair design, the stylist follow five key strategies for successful end results including having a vision, following a plan working at the plan trying again and | taking calculated risks |
| the face shape feature a long narrow face with hollow cheek | oblong |
