| A | B |
|---|
| Brigella's personality | cunning servant |
| Pantelone's personality | Mean and greedy |
| Captano's personality | Suave soldier |
| Zanni's personality | Curious, enthusiastic, and an eager to please peasant |
| Harlequino's personality | Amoral and playful |
| Magnifico's personality | Most powerful master |
| Lovers (Innamorti) personality | Aristocrat that drive the plot forward |
| Doctor's personality | Master that is so full of knowledge that it is overwhelming |
| Brigella's walk | hips in |
| Pantelone's walk | chin and knees |
| Captano's walk | knees |
| Zanni's walk | nose and toes |
| Harlequino's walk | hips out |
| Magnifico's walk | head |
| Lovers (Innamorti) walk | shoulders |
| Doctor's walk | stomach |
| When Commedia Dell'Arte began | 1600s |
| Where Commedia Dell'Arte began | Venice |
| Comedic business to regather audience's attention | Lazzi |
| Defining feature of Commedia Dell'Arte | masks |
| Jibberish words spoken in Commedia Dell'Arte | Grammelot |
| Length of scenes | 3 minutes |
| How script is performed | Improv given scenarios |
| Who did Commedia Dell'Arte perform for? | Common Man |
| Where did Commedia Dell'Arte perform for audiences | Streets |
