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choir

AB
harmonythe result of more than one tone sounding simultaneously
intervalthe combination of two tones together
half stepthe smallest distance btwn. two notes either higher or lower than each other
whole stepthe combination of two half steps
chordthe sound result of combining two or more intervals
triada cord built in thirds over a root tone (or "do")
chest registerlower part of the singing voice
falsettoregister of the male voice that extends far above the natural high voice
keythe importance of one pitch over the others in the scale (the "home")
keynoteDO of the key
scalean inventory of collection of pitches
key signaturethe sharps or flats placed at the beginning of the staff to denote the scale upon which the music is based
metera form of rhythmic organization (3/4, 4/4)
time signaturethe numbers placed at the beginning of a piece of music to indicate the meter of the music
accidentalssharps, flats, and/or naturals not normally foudn in the key
sharpa musical symbol which raises the pitch one half step
flata musical symbol that lowers the pitch one half step
naturalmusical symbol which cancels a previous sharp or flat
modulationthe process of changing from one key to another within a piece of music
bridgea small, minor section of a composition which serves to connect the other main sections
articulationthe movement of the lips and mouth to create clear choral sounds
rhythmthe organization of sond length
beata steadily recurring pulse
quarter noteone beat value in 4/4 time
eighth noteone-half beat value in a 4/4 time
half noteteo beat value in a 4/4 time
whole notefour beat value in a 4/4 time
clefa symbol that identifies a set or pitches
treble clefrefers to pitches higher than middle C
bass clefrefers to pitches lower than middle C
staff5 lines and 4 spaces on which music is written
grand staffa grouping of two staves on which choral music written
da caporeturn to the beginning
accelerandoto become faster; a gradual increase in tempo
crescendoto gradually become louder
decrescendoto gradually become softer
tiea curved line connecting two notes of the same pitch
slura curved line placed above or below two notes of different pitch to indicate that they are to be performed in a smooth, or connected style
legatosmooth and connected
ritardandogradually slow the tempo
poco a pocolittle by little
subitosuddenly
soft palatelocated at the back of the roof of the mouth- soft and fleshy
resonancereinforcement and intensification of sound by vibrations- for the voice, resonating cavities are used in the chest and head
dipthonga combination of two vowel sounds in the same syllable


Lindsay Priddy

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