PURPOSE - You must describe the rituals, behaviors, texts, jargon of a subculture/discourse community in order to bring a discourse community/subculture to life.
AUDIENCE - You must assume that your audience is NOT FAMILIAR with the subculture. Additionally, you may assume that your audience is from Southern California and is similar to the make-up of the class (including me).
THE MAIN TEXT(S) - You will do a 3-4 minute (maximum) multimedia presentation about your chosen discourse community/subculture. You will incorporate material from your observations, interviews and other work. You may use any or all of the following: PowerPoint, poster board, photographs, music, video, Flash, and/or any artifacts (evidence collected from the group), especially "realia" (things you can actually touch). You may also come up with something that is not on this list. Remember, you are trying to bring this community to life. Be creative!
IN ADDITION TO THE PRESENTATION, THE FOLLOWING TEXTS WILL BE COLLECTED -
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4 sets of field notes - You must do 4 observations of at least one hour in duration, take field notes and do a free write according to the handout from Friday May 20 (
Ethno-Box-7-taking-fieldnotes-FieldWorking98-105.pdf), plus answer questions from
"Ethno Box 8 three questions for fieldnotes FW 106-07" for each. Why so many? You must observe rituals, and the only way to do that is to revisit.
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1 interview transcription - You must interview two different people for at least 2 minutes each and you must transcribe a toal of two minutes from those interviews (write down exactly what you said and exactly what they said.). You don't have to take two continuous minutes - you can take 10 seconds here, 20 seconds there, etc. You should transcribe the portions yo might use in your paper or presentation.
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1500 Word Paper - You will write a paper in Times New Roman 12 pt. font with 1" margins all around and double-spaced throughout that matches in large part the content of the presentation.
* Homework - read the handout pages 1-4 as well as handout BOX 1. Do the activity in BOX 1.
Tuesday -
* Three part definition of ethnography, splitting it into parts: GRAPHY - to record, map, locate, document, write about etc. ETHNO - originates from culture. Oxford American Dictionary say it is " a scientific description of the customs of individual peoples and cultures."
* Short description of final project - The final project is to make an ethnographic study of a discourse community (subculture) of which you are not a member. You will have to observe, take fieldnotes, find artifacts, interview members, and form a presentation. The final presentation should include writing (approximately 1500 words) and "realia" (stuff). You can forget about the thesis and/or report style. You will write in the style that best fits your subject, perhaps narrative or something else.
Remember you are not primarily studying what people do, necessarily, but you are studying how they interact.
* discuss the difference between artifact and "realia."
+++++An artifact is something left behind, but it may be intangible such as a video of a dance or a photograph of a foot print. You cannot touch those things.
+++++Realia is an artifact that you can touch. Good realia makes the difference between a good presentation and an exceptional one.
* Subculture brainstorm share -
with 2 o'clock appointment - share two discourse communities of which you are a member.
with 4 o'clock appointment - share one discourse community and an unusual text from that community (i.e., the shirt on a basketball player is an unusual text because it can be read to identify team and player).
with 6 o'clock appointment - share one discourse community and an unusual text and one piece of unusual jargon from the community, a word or phrase no one could understand outside the community.
SHARE ONE INTERESTING COMMUNITY/TEXT/JARGON YOU HEARD.
* You may sign up for which subculture you wish to study at any time.
* Homework - read Fieldworking pages 8-14. You will need adobe acrobat reader (free) to read the pdf file. if you do not have it, you can get it (free) at www.adobe.com
Wednesday - minimum day
* Fieldworking homework review (page 8-9) - looking at a ritual from the outsider perspective
* Read the "Body Rituals of the Nacirema" again. (in Fieldworking pages 8-14).
* Watch two documentaries about letter presses. Notice that although they both use video, examples of the product, plus show the machines and a person who works there, one is terrible (http://www.youtube.com/watch?v=5g4Ttv5XtwE&feature=related) and one is awesome (http://www.youtube.com/watch?v=Iv69kB_e9KY). The difference comes from HOW each is put together, not WHAT each consists of. This is how you should view the requirements of your project: you should have artifacts, realia, excerpts from interviews and other multimedia elements, but HOW you put them together will make the difference.
Thursday - "Every 15 Minutes" day 1
* Pass around subculture/discourse community selection sheet. You may not select the same group as anyone else in the course, and it is your responsibility to check the list to see if anyone has your group already
* Recap - white board "quiz"
+++What (who) is the real subject of "Body Rituals of the Nacirema?" - (Americans)
+++What genre is the "Body Rituals of the Nacirema?" - hint: it is nonfiction - (satire)
+++What is the POV of "Body Rituals of the Nacirema?" - (third person)
+++Is "Body Rituals of the Nacirema?" written from insider or outsider perspective? - (outsider, even though the writer was most likely an insider in the culture). In fact, the idea of this piece is to demonstrate how an insider can "make the familiar strange." Please note, however, that I neither expect nor want you to try to be humorous/satirical in your project. "Body Rituals of the Nacirema?" is simply an extreme example of an insider describing a ritual from the perspective of an outsider.
* Read Ethnography Box 2
* Following the directions, write about the ritual of bell work in AP English from the perspective of an outsider. You may use first, second, or third person point of view. And although YOU ARE NOT REQUIRED TO DO SO IN THE PROJECT, you may write satirically or extremely if you want to for this assignment. You don't have to write too much (about a third of a page).
* In computer commons, read and annotate Ethnography pages 16 and 20. HAND IN YOUR NOTES!
* Homework - Pages 56-59 and 68-73. Do the Box 4 activity.
Friday -
* The final presentations will start on June 7; that is two weeks from Monday. This assignment cannot be crammed into one week. Get going with your work! including observation/fieldnotes, which we will discuss in more detail today.
* BOX 4 activity. If you did not do the homework, do a BOX 4 now (Teacher gives handouts). If you did it, please add one of the following: numbered list of answers to the questions OR some other brainstorm activity (map, outline, bullets) OR freewrite possible pitfalls you may encounter studying your group, from the logistical to the conceptual.
* Box 4 (exploratory writing about the discourse community you are thinking about studying) - with a new partner, share your ideas. These questions are EXTREMELY important; they will form the basis for your entire ethnography. Even if you change the discourse community/subculture you wish to study, you will have to answer these questions to frame your work. HAND IN BOX 4.
* Go over Ethno-Box-7-taking-fieldnotes-FieldWorking98-105.pdf to demonstrate how to take field notes. In two columns, with a record of exactly what is happening on the left and what you are thinking about what is happening n the right. This is VERY important. Events do not have significance on their own - we give them significance, and as much as you are able, you will try to separate out your reaction from what is happening while you observe. Your notes will have to be several pages long for each 1 hour of observation. Also, you will free write immediately following each observation.
* Homework - read Fieldworking pages 98-105very carefully! Make note of how to organize your notes; we will do a peer review of your notes next week. ALSO, for Tuesday of next week, you must complete one observation with fieldnotes and freewrite, according to the method discussed in class (and shown on pages 98-105)
* linked files are at the bottom of the page
Work in Class for the Week of 5/9/2011
Monday - AP tests continue
* Listen Gatsby, stopping to check for comprehension; start disc 2 trk 2, 15:00 (page 55), end at end of disc 2 (page 74).
* Homework - Bring a scholarly source on Fitzgerald (not Gatsby) by tomorrow. MUST BE SCHOLARLY TO GET CREDIT!
Tuesday -
* Hand in the scholarly source, I check, and then return to students.
* Listen Gatsby, stopping to check for comprehension; start disc 3 trk 1, 0:00 (page 74), end at disc 3 end of trk 4 (end of Chapter 5, page 96)
* Homework is to read to the end of Chapter 6. Interesting stuff happens - Daisy and Tom go to a Gatsby party!
Wednesday - AP English Language and Composition exam periods 1-4. Good luck!
* We listen to Chapter 6 in sixth period, and ahead about ten minutes into Chapter 7 (disc 4 trk 1)
* Homework - read to the end of Chapter 6.
Thursday -
* Listen Gatsby, stopping to check for comprehension; start disc 4 trk 1, 0:00 (page 113, Chapter 7!), end at end of disc 4 (page 145, end of Chapter 7).
* Homework - your nonfiction assignment is due on Monday.
Friday -
* Listen Gatsby, stopping to check for comprehension; start disc 5 trk 1, 0:00 (page 147, Chapter 8), end at the end!
* Homework - your nonfiction assignment is due on Monday.
* linked files are at the bottom of the page
Work in Class for the Week of 5/2/2011
Monday - AP Chemistry Exam
* Gatsby- Library
* Bell
* Hand back papers
* Gatsby Character Map
* Two kinds of first person
-- Story is about the narrator ("I")
Nick Carraway
-- Story is about someone else
Gatsby
* Read first two pages
* Find and list five words you don't know.
* Homework: Find scholarly source about F. Scott Fitzgerald, print and bring in by Wed.
Hint- research "scholarly" source.
Tuesday -AP Spanish Exam
* Decode pages 1 and 2 of Gatsby carefully. It is very important to understand Nick's personality; this narrator is reliable.
Listen to the first few pages (to page 7, disc 1, trk 2 8:51 - [all references are to the Scribner/Everbind edition of the book and Robbins audio version]) of Gatsby, stopping to check for comprehension - Where does Nick live? What socio-economic status does his family have? Where did he go to school? [Show the map Which of the "Egg"s is wealthier? How does Nick know Tom and Daisy [put them on your character map]? Show the map of East and West Egg (which is fictional but based on the northwest shore of Long Island)
Wednesday -
* Group activity - brief direct instruction on scholarly source - written by a scholar for a scholar in the field. Ways to eliminate sources: no identifiable author; biography. Since almost all of your sources were not scholarly, you must bring a scholarly source on Fitzgerald (not Gatsby) by next Tuesday.
* Listen Gatsby, stopping to check for comprehension; end at disc 1 trk 3, 4:00 (page 14)
Homework - there is a quiz on Gatsby tomorrow, to page 14.
* Bring a scholarly source on Fitzgerald (not Gatsby) by next Tuesday.
Thursday -
* Quiz
* Listen Gatsby, stopping to check for comprehension; start disc 1 trk 3 4:00 (page 14), end at disc 1 trk 4, 11:15 (page 29).
Friday - AP US History exam - most students out
* Listen Gatsby, stopping to check for comprehension; start disc 1 trk 4 10:00 (page 29), end at disc 2 trk 2, 15:00 (page 55).
* linked files are at the bottom of the page
Work in Class for the Week of 4/25/2011
Monday - STAR test -
* Watch video on the 1920s. Write down 15-20 facts from the video. hand in
Tuesday - STAR test
* Watch video on the 1920s. Write down 15-20 facts from the video. hand in
Wednesday - STAR test
* Watch F Scott Fitzgerald biography. write down 30 facts from the video.
Thursday - STAR test
* Watch F Scott Fitzgerald biography. write down 30 facts from the video.
Friday -
* Could not go to the library, watched video (TAL) ;)
* linked files are at the bottom of the page
Work in Class for the Week of 4/18/2011
Monday -
* MC Questions 1-15 (Swift "Modest Proposal" satire selection); 23-38 (Twain "Advice to Youth" satire selection); questions 1-37 (Sample exam 1 - yellow AP book). Eliminate down to two answers; write them on a piece of paper. If one of the two is correct, you will get the credit for answering correctly.
Tuesday -
* Correct the practice from yesterday. I post the answer key. Although we had 50 minutes to narrow down 67 question to just two answers, most of you did not get past 30 questions. I cannot determine if this is because you are over-concentrating on the elimination process or that you are burned out from the practice. I am going to presume that you need more elimination practice, so, using three questions most got wrong (satire numbers 3,5,7,11) please write explanations for why each of the less good answers are not the best answers,
Wednesday -
* Watch This American Life (TAL) TV show "Going Down in History. Take notes.
* Identify the (a) main idea from the group of stories. This show says it "chooses a theme, and bring you stories about that theme," but really, they don't mean theme the way we would think of theme - they mean subject or topic or, even better, clever phrase that fits all of the stories. In other words, the main idea of these stories is NOT "Going Down in History."
* Free write as if you were going to write an argument essay taking a position relative to the theme you identified. In other words, write down your position relative to the theme - agree, disagree or qualify - and then write down at least three specific pieces of evidence you would use in your argument.
* Remember to address what others think (the counterargument).
* Homework - finish the freewrite if you did not complete it.
Thursday -
* Housekeeping - today is the last practice we will have in timed writing for argument. Next week is STAR and after that we will do an overall review of the strategies of timed writing, but for now, this is it.
* Brief review of TAL. Hand in homework.
Homework - Research and write down, in detail, the following facts about the AP English Language and Composition Exam: How is the exam is formatted (specific timing)? and how is the exam is scored?
Friday -
*
* linked files are at the bottom of the page
Work in Class for the Week of 4/11/2011
Monday -
* Housekeeping - Structure of weeks before AP
* Argument Essay Prewrite
* Always use a prewriting activity to collect your thoughts.
------outline, map, list, etc.
------Thesis (your point)
------3 pieces of evidence
* Discussion of scoring -
* Although this essay asks for your opinion, you still need evidence; your opinion is not evidence. [ difference between Analysis/Synthesis and Argument FRQ]
*consider the other side (counter-argument); answer the other side (rebuttal); take (state) your position (thesis);
*Use topic sentences to state evidence. Use the paragraph to explain.
* Read example 3B - score it.
HAVE EVIDENCE FOR YOUR SCORE.
FORMAT tips: use a # to indicate the end of your essay; number pages 1 of X, 2 of X, etc. (X being the total number of pages in that essay)
Tuesday -
* Housekeeping - hand back papers
* AP MC 2008 course description 11-22. This time the exercise is to eliminate the three least good answers, and then, from the two remaining, select the less good answer and explain why it is less good.
Wednesday -
* Review answers from yesterday.
Listen to Act Three "Gin Rummy"of the This American Life podcast - click on "play episode" and then go to the 29:00 mark.
* do a pre-writing activity based on the podcast we heard for the following prompt - Is the shelter described in the podcast, in which alcoholics are allowed to drink, a good idea or a bad idea? Remember, you pre-writing activity should include a clear statement of you point, along with at least three pieces of evidence, one of which considers the other side.
Thursday -
* Housekeeping - the CNF reading is tonight in the NEW BHS theater at 7:00 p.m. come out and support your fellow students. It is free!
* AP FRQ Q3 Form B full practice. Please note - you must be able to identify Ehrenreich's assertion before you can decide what your position is relative to her assertion.
Friday -
* Housekeeping - the CNF reading was wonderful. I am very proud of the work all of you did, especially the writers and the editorial committee. I am impressed with the quality of the stories, and hearing them together like that is a joy.
* Read the rubric for AP FRQ Q3 Form B (on the back of the prompt). make a note of the differences in the wording between the score of 8, 6, 4, and 3. this is the rubric you will be writing to, so it helps to know what they are looking for.
* Read student example 3 - with your 8 o'clock appointment
-on one piece of paper. you must connect two pieces evidence from the sample to criteria in the rubric.
* -Repeat step 3 with student papers.
* Return the student essays to the student. hand in the team paper with scores - should have three scores on it.
* linked files are at the bottom of the page
Work in Class for the Week of 4/4/2011
Monday -
* Hand back papers (If there is an error in your grade/ grade not entered or wrong grade entered I can fix by tomorrow)
* CNF - announce selected writers/pieces for publication and reading. (Mandatory meeting for selected writers and ed. committee 12:15 today in D5
* EAP Handout - oin ordcer for your EAP essay to be considered, you must complete the question son the STAR test AND "bubble in" the authorization to release your results to CSU and California Community Colleges,
* It is now 4th Quarter: in three weeks, you take STAR tests; two weeks later the AP tests begin; and somewhere along in there (or by June) you will most likely take SATs.
* In the next three weeks of this course, we will cover the writing strategy of "argument," review the strategies of analysis and synthesis (including decoding prompts and writing practice), and practice multiple choice test taking strategies. You may want to pull any notes you have from previous quarters and make a new edited notebook to keep for reference.
* 3pt. grid of features: ANALYSIS; SYNTHESIS; ARGUMENT (persuasion). Do "your" list, "group" list, and then the "class" list.
* Homework - re-read chapter 13 (Argument) in BR and read the following selections: Wenke, "Too Much Pressure" (532); Buckley, "Why Don't We Complain?" (538)
Tuesday -
*
* Homework - we will not have homework the rest of this week because I am asking you to work very hard in class.
Wednesday -
* 5 Steps p. 223- What is Stegner's point?
* Read p. 240- 41 in 5 Steps regarding the expectations for responses to the prompt you answered yesterday. Reflect on what you wort en and think about how well you fulfilled those expectations.
* BR p. 538 Buckley: q. 4 Qs on Meaning p. 543; q. 3 Qs on Writing Strategy p. 544
* Homework - we will not have homework the rest of this week because I am asking you to work very hard in class.
Thursday -
* Housekeeping -
CNF stuff- Tentative Apr. 14- BHS Theater 7 pm
Writers_ you don't have to read, but you can. Write me with you draft (due tomorrow) By lunch
* AP practice MC (course description)
# 1-5
Explain why the answers (exc. one) are NOT the best.
* Homework - we will not have homework the rest of this week because I am asking you to work very hard in class.
Friday -
*
* linked files are at the bottom of the page
Files from this week and before
Teeth
The Teeth
Compare Contrast Essay Peer Review
MLK synthesis assignment handout
Grid for rhetorical devices
Martin Luther King's "Letter from a Birmingham Jail"
final precis of "Cookies or Heroin," culled from all the periods' work
Philip Levine - "What Work Is"
Woodworth - "Rhetorical Precis"
Philip Levine's "What Work Is" printed
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Work in Class for the Week of
Monday -
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Tuesday -
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Wednesday -
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Thursday -
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Friday -
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* linked files are at the bottom of the page
Ethno-Box-7-taking-fieldnotes-FieldWorking98-105.pdf